Tuesday, 15 March 2011
Monday, 14 March 2011
http://www.slideshare.net/nfrowotham/critical-studies-peter-blake
1. Why have I chosen this artwork?
2. How would I categorise/describe the work (taxonomies)
3. How has time-frame of my chosen decade impacted with technological innovation in terms of production and dissemination?
4. In terms of economic and social change, what political and philosophical points of view were emerging that time?does my artwork respond to ,or reflect these in any way?
5. In terms of codes and communication, how is the artwork intended to be read and who is it for?
6. Have i writen 200 words for each of these categories?
Sunday, 13 March 2011
Check this site out.
Guys here is some refs to artists influenced by his work, its on the sheets i printed for you.
The Telegraph
Sir Peter Blake: why i chose Pop over pot.
Blake is the self-proclaimed founding father of Pop Art: his Captain Webb matchbox preceded Andy Warhol's Brillo Pad boxes and Campbell's soup cans, and he was painting comics before Roy Lichenstein, and flags and targets before Jasper Johns. Today he is sporting target cufflinks, as if to make the point. Indeed, he's become something of a mentor to the crop of YBAs who championed - and borrowed - from his work as they emerged in the 1990s, including Damien Hirst and Tracey Emin, both of whom are now close friends.
When Blake turned 65 he announced his retirement from "the nasty part of the art world". He says: "It was just a concept, but I retired from jealousy, avarice, spitefulness. It was almost like embracing a new religion."
He gives his silent feud with Warhol as an example of the "nasty part" of art that he was happy to let go. "People have said he was my copycat, but I've never said it.
Friday, 11 March 2011
Thursday, 10 March 2011
peter blake
Sir Peter Blake RA is an English artist often referred to as the Godfather of British Pop Art, best known for his limited edition prints and the design of the sleeve for The Beatles' album Sgt. Pepper's Lonely Hearts Club Band.
Born in Dartford, Kent, Blake studied at Gravesend School of Art before being accepted into the prestigious Royal College of Art in London. He graduated in 1956, received a Leverhulme Research Award to study popular art, and travelled extensively, drawing inspiration as he roamed. Sir Peter Blake's fondness for popular culture can be clearly seen in much of his eclectic collages and silk screen prints with images of Marilyn Monroe mixing with Mona Lisa.
Sunday, 6 March 2011
http://www.peterblakegallery.com/About.cfm